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Showing posts from 2010

1951 - Decision Before Dawn

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Happy holidays, everyone! On Wednesday, Kat and I will be flying home to Sydney to visit family and friends for the first time since we moved to New York a year and a half ago. That coupled with the holiday season will undoubtedly slow down the pace of Matt vs. the Academy for the moment. No fear, though. We will complete the current slate of nominees prior to my arrival in Los Angeles in mid-January, at which time I will visit the UCLA Film Archive to view the first of the 1930-31 contenders. Today, though, I took a look at another 1951 Best Picture nominee... Decision Before Dawn Director : Anatole Litvak Screenplay : Peter Viertel (based on the novel 'Call It Treason' by George Howe) Starring : Richard Basehart, Gary Merrill, Oskar Werner, Hildegarde Knef, Dominique Blanchar, O.E. Hasse, Wilfried Seyferth, Hans Christian Blech Academy Awards : 2 nominations 0 wins During the final days of World War II, the U.S. Army recruits German prisoners-of-war for espionage dutie...

1951 - An American in Paris

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My new job as an events waiter is proving to be quite the boon for associating with the rich and famous. Yesterday, I worked on an event for Lincoln Center, in which John Guare gave a speech. Coupled with Monday's sighting of Susan Sarandon, I now have a double connection to one of the film's already reviewed for Matt vs. the Academy - Atlantic City was written by Guare and starred Sarandon. An entirely meaningless connection, I know, but it's the little things... Earlier today, I watched the Academy's eventual choice for Best Picture of 1951... An American in Paris Director : Vincente Minnelli Screenplay : Alan Jay Lerner Starring : Gene Kelly, Leslie Caron, Oscar Levant, Georges Guétary, Nina Foch Academy Awards : 8 nominations 6 wins, including Best Picture The man of the title is Jerry Mulligan (Kelly), a struggling artist who has moved to Paris for inspiration. His good friend, Adam Cook (Levant), an accomplished concert pianist who has never played a conce...

1951 - A Place in the Sun

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December must surely be the busiest month of the year - holiday parties aplenty; my new musical improv group, The Boombox Kids , has performed several gigs around town; I started a new job with a high-end catering company (at which, after working only one event, I have already rubbed shoulders with the likes of Susan Sarandon, Edward Norton and David Lynch); and in a week, Kat and I will be heading back home to Sydney for a brief visit, the first such visit since we moved to New York a year and a half ago. You will notice there is no poll to decide the next year of review for Matt vs. the Academy. As previously discussed, I'll be stopping in L.A. for a few days before I return to New York, so I will take that opportunity to pop in to the UCLA Film Archive for a viewing of two Best Picture nominees that lack home video releases. Thus, 1930-31 is the chosen next year of review. For now, we begin looking at 1951's slate of Best Picture nominees, starting with... A Place in t...

Best Picture of 1986

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The Academy's eclectic tastes are hardly more evident than in 1986's shortlist: drama and comedy, contemporary and period. Stylistically, these five films have very little in common with each other, yet they each excel in their own right. Nonetheless, choosing a favourite was not as difficult as one would expect. The nominees for Best Picture of 1986 are: Children of a Lesser God Hannah and Her Sisters The Mission Platoon A Room with a View The nominee with the most visible flaw is Children of a Lesser God. Despite its touching story, the general conceit of a hearing man repeating everything his deaf lover utters is hard to overcome, so Marlee Matlin's debut film is first to be struck off the list. The next two to go are Hannah and Her Sisters, a fine contemporary comedy exploring the human condition (otherwise known as a Woody Allen film), and its polar opposite, The Mission, a fine adventure drama exploring politics, religion and racial relations. Finally, we have two mor...

1986 - A Room With a View

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Here's a tip for the unaware... When at the supermarket browsing bottles of wine, it may be worth looking more closely at the labels. Although the label on the bottle you purchase may, at first glance, have a design that is indistinguishable from the labels on more expensive bottles found in boutique wine shops, don't wait until you get it home to read the small text that describes the contents as "Wine Product." Not the same thing... To wrap up the viewing of 1986's Best Picture nominees, yesterday I watched... A Room with a View Director : James Ivory Screenplay : Ruth Prawer Jhabvala (based on the novel by E.M. Forster) Starring : Maggie Smith, Helena Bonham Carter, Denholm Elliott, Julian Sands, Daniel Day-Lewis, Simon Callow, Judi Dench, Rosemary Leach, Rupert Graves Academy Awards : 8 nominations 3 wins, including Best Adapted Screenplay Just as Platoon is not for those with an aversion to war films, it seems safe to say that those lacking passion for period...

1986 - Platoon

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Kat and I spent Thanksgiving weekend in Miami with a couple of fellow Aussie ex-pats. We walked along Miami Beach, we shopped on Lincoln Road Mall, we lay by the hotel pool, but mostly, we ate at restaurants. It was essentially three days of eating ... in beautifully warm weather. Back to the cold climes of New York City now... Next up in 1986's race for Best Picture is... Platoon Director : Oliver Stone Screenplay : Oliver Stone Starring : Charlie Sheen, Tom Berenger, Willem Dafoe, Keith David, Forest Whitaker, Francesco Quinn, Kevin Dillon, John C. McGinley, Reggie Johnson, Mark Moses, Corey Glover, Johnny Depp Academy Awards : 8 nominations 4 wins, including Best Picture and Best Director Drawing from his own experiences during the Vietnam War, director and writer Oliver Stone tells the story of Chris Taylor (Sheen), a young soldier arriving in Vietnam for a one-year tour of duty. As the newbie, he struggles to acclimate to the poor conditions and his fellow soldiers. Making mat...

1986 - Children of a Lesser God

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It's Thanksgiving week here in the United States. That generally means people are flying home to be with their families. Kat and I will be doing that next month instead when we fly to Australia, so for this holiday, we've chosen Miami as our destination. And I'm sure we'll be giving thanks for the warm weather down there. Happy Thanksgiving to all my U.S. readers! Yesterday, I viewed the next in 1986's lineup of Best Picture nominees... Children of a Lesser God Director : Randa Haines Screenplay : Hesper Anderson and Mark Redoff (based on the play by Redoff) Starring : William Hurt, Marlee Matlin, Piper Laurie, Philip Bosco Academy Awards : 5 nominations 1 win, for Best Actress (Matlin) James Leeds (Hurt) is the new speech teacher at a New England school for deaf children. While his unorthodox methods raise some eyebrows, he is very successful and much loved by his students. As he teaches them to speak (and even sing!), he finds himself smitten with the school's...

1986 - The Mission

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As promised, the poll for the next year of review is now running (in the right sidebar). You may notice that the list of years available in the poll does not include films from the 1930s as I mentioned in my last post. Here's my excuse... Kat and I will be heading home to Sydney over the Christmas/New Year period and then, on the way back to New York, I'll be stopping in L.A. for about a week. This seems like the perfect opportunity to check in at the UCLA Film Archive for a viewing of one or two of those hard-to-find Best Picture nominees. Since all those rarities are from the 1930s, I figured it best to spend time with another decade for now and leave the 1930s for January. Meanwhile, we continue with 1986's contest by taking a look at the following Best Picture nominee... The Mission Director : Roland Joffé Screenplay : Robert Bolt Starring : Robert De Niro, Jeremy Irons, Ray McAnally, Aidan Quinn, Cherie Lunghi, Ronald Pickup, Chuck Low, Liam Neeson Academy Awards : 7 ...

1986 - Hannah and Her Sisters

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We launch into another year of review, which is normally the time I put up the poll to decide the next year of review after that. I'd like to offer you some options from the 1930s again, but before I do that, I need to figure out which films are more easily available to me from that decade. Hence, I may need another few days of research. Stay tuned... On another note, many of you may be aware of my previous website creation years ago - a weekly film quiz. Perhaps if I ever manage to complete this current project, I'll return to that concept, but in the meantime, I couldn't help myself. I created a couple of quizzes on Sporcle ( Verbose Movie Titles and Verbose Movie Titles 2 ) for a bit of fun. Enjoy! Yesterday, I began my look at the Best Picture contenders of 1986 by revisiting... Hannah and Her Sisters Director : Woody Allen Screenplay : Woody Allen Starring : Woody Allen, Michael Caine, Mia Farrow, Carrie Fisher, Barbara Hershey, Lloyd Nolan, Maureen O'Sullivan, Da...

Best Picture of 1962

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The trend of incredible (and lengthy) films continues. I found all five contenders in 1962's competition to be thoroughly engaging. Yet another hallmark year for this project. The nominees for Best Picture of 1962 are: Lawrence of Arabia The Longest Day The Music Man Mutiny on the Bounty To Kill A Mockingbird My first move in this verdict is to split these fine films into two groups. In the bottom section is The Music Man, a spectacularly entertaining film, perhaps only disadvantaged by its lack of substance in comparison with the other four nominees, which all deal with very powerful material. Joining the musical, I have placed To Kill A Mockingbird. I know, I know. Most people love it. And I did, too. Just not as much as its competitors. The three films on the upper branch, coincidentally or not, happen to be the three longest nominees - each running at least three hours - and are also all based on true stories. First, we have Mutiny on the Bounty, an intense battle of minds comp...

1962 - Mutiny on the Bounty

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I'm writing this in the few remaining hours of Daylight Savings in New York City. Tomorrow, the darkness creeps in an hour earlier. Subsequently, each day will see the sunset arrive sooner than the day before... Well, okay, that makes it sound far more foreboding than is necessary. Still, I'll be hotfooting it soon to the other side of the equator, where not only is the day getting longer, but warmer too. Kat and I have a visit home to Sydney planned for Christmas and New Year's. But more on that later... Yesterday, I viewed the last in the shortlist for 1962's Best Picture crown... Mutiny on the Bounty Director : Lewis Milestone Screenplay : Charles Lederer (based on the novel by Charles Nordhoff and James Norman Hall) Starring : Marlon Brando, Trevor Howard, Richard Harris, Hugh Griffith, Richard Haydn, Tarita, Percy Herbert Academy Awards : 7 nominations 0 wins Based on a novel which was itself based on a true story, Mutiny on the Bounty is apparently not entirely ac...

1962 - The Music Man

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Don't forget to vote for which year Matt vs. the Academy should tackle next. You can do so by selecting one of the options in the poll on the right. For my American readers, consider it a warm-up for the voting muscles you will be exercising on Tuesday... unless, like me, you are not a U.S. citizen and are therefore ineligible to vote ... in which case, just vote in my poll anyway. Today, in lieu of any Halloween festivities, I watched another contender in 1962's Best Picture race... The Music Man Director : Morton DaCosta Screenplay : Marion Hargrove (based on the Broadway musical by Meredith Willson) Starring : Robert Preston, Shirley Jones, Buddy Hackett, Paul Ford, Hermione Gingold, Pert Kelton, Ron Howard Academy Awards : 6 nominations 1 win, for Best Score (Adaptation) Popular on Broadway, Meredith Willson's The Music Man centres on a travelling salesman who calls himself Professor Harold Hill (Preston). Arriving in River City, Iowa, Hill attempts to con the townsfolk...

1962 - To Kill A Mockingbird

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I always enjoy seeing classic movies on the big screen. The cinema experience will always trump the home theatre experience, I guess, until the day that the cinema experience is the home theatre experience (i.e. when I own a house big enough for a private screening room). Among others, I've been lucky enough to see 70mm prints of Lawrence of Arabia and Ben-Hur, and I got my sci-fi geek on for the reissues of the first three Star Wars films in the late 1990s. But last weekend was a particularly personal thrill for me as I attended a special 25th anniversary screening of Back to the Future . I had never seen it on the big screen before (I was only nine years old during its initial release) but, through video and DVD, it became one of my all-time favourite films, one which, I'm glad to say, still holds up today, despite its mathematically erroneous pronunciation of 1.21 gigawatts. Seeing it in a room full of like-minded fans created an electrifying atmosphere - there were cheers ...

1962 - Lawrence of Arabia

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Here's a little anecdote to illustrate precisely how neurotic I am... I recently endured my first cold of the season. The sore throat and the runny nose passed relatively quickly, leaving me in the niggling cough stage. A few nights ago, while sitting in an acting class, I felt a potentially disruptive coughing fit simmering just under the surface, so in an attempt to minimise the disruption, I instead released a short, sharp and perhaps oddly high-pitched hack. To my surprise, the girl sitting next to me kindly whispered, "Bless you," seemingly unaware that my audible expulsion was not, in fact, a sneeze. Not wanting to be unappreciative or rude, I let her error pass. However - and here comes the neurotic part - rather than risk another awkward blessing of a cough, I made a conscious effort henceforth to make my splutters sound more cough-like by invoking at least two or three distinct barks in rapid succession. Yep, I actually adapted my own coughs in order to avoid an ...

1962 - The Longest Day

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In an attempt to get ourselves out of the house and experience more of the diverse offerings available to us in this great city, last weekend Kat and I participated in a unique production known as Accomplice: New York . It's hard to describe exactly what it is. Part interactive theatre, part treasure hunt, part film noir. Kind of a cross between Tony n' Tina's Wedding , The Amazing Race and The Sopranos . Along with a handful of other participants, our group was sent traipsing through the city, meeting our "contacts" and deciphering clues to solve a deeper mystery. The whole production is incredibly innovative and loads of fun. Highly recommended for those of you in New York, plus they also have shows in L.A. and London. The latest poll is ready for you to collectively decide which year becomes the next focus of review. Just move your eyes over to the right. Meanwhile, we begin our look at the nominees in the Academy's Best Picture race of 1962... The Longest...

Best Picture of 1994

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The battle for Best Picture of 1994 included a particularly impressive selection of nominees. I realise that assessment is one that has prefaced almost every verdict I have delivered so far in this project, but this time I really mean it. In a decade and a half, four of these five films have achieved a rather prominent place within pop culture. Nothing to sneeze at. The nominees for Best Picture of 1994 are: Forrest Gump Four Weddings and a Funeral Pulp Fiction Quiz Show The Shawshank Redemption Five very accomplished films, all with bucket loads of merit. The sole romantic comedy of the bunch, Four Weddings and a Funeral, is the first one out of the running for my top honours. Partly due to the innate unfairness that labels comedies as less significant as other genres, and partly due to its saturation of slightly underdeveloped supporting characters. The other four pictures are much harder to separate. Quiz Show, the nominee with the least success cementing its place in film history, ...

1994 - The Shawshank Redemption

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Last chance to vote on the next year of review for Matt vs. the Academy. The poll is in the panel over to the right. Since there is currently a tie, there is rather a good chance that the next person to vote will single-handedly decide the result. Unless, of course, that person creates a three-way tie, but let's not put ideas into his head. Last night, Kat and I sat down to watch the last of the nominees from 1994's Best Picture contest... The Shawshank Redemption Director : Frank Darabont Screenplay : Frank Darabont (based on the novella "Rita Hayworth and Shawshank Redemption" by Stephen King) Starring : Tim Robbins, Morgan Freeman, Bob Gunton, William Sadler, Clancy Brown, Gil Bellows, Mark Rolston, James Whitmore Academy Awards : 7 nominations 0 wins In 1947, softly-spoken banker Andy Dufresne (Robbins) is convicted of the cold-blooded murder of his cheating wife and her country club lover. Despite his adamant claims of innocence, he is given a life sentence and s...