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Showing posts from April, 2010

1975 - Jaws

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The poll for the next year of review is now up, so have your say - it's over there on the right. Kat and I had the chance to get out of the city last weekend with my parents, who are here visiting for a couple of weeks. We didn't go too far, though - only about an hour north of New York City to the town of Sleepy Hollow, named after the Washington Irving story. In fact, the town was known as North Tarrytown until 1996 when they decided to change the name to honour its most famous resident. We visited Irving's home as well as his grave in the ominously named Sleepy Hollow Cemetery. Although I've seen the Johnny Depp movie, I've never actually read The Legend of Sleepy Hollow and upon visiting the author's home, I am reminded of how little classic fiction I have read. Well, at least my complaint about not having seen enough classic cinema is being remedied. Perhaps when I finish this project, I can move on to Matt vs. the Pulitzer ... or not. Last night, I was exc...

1975 - Nashville

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Apologies for the short delay in starting the next year of review. The IRS (that's the American equivalent of the ATO, for my Aussie readers) was in need of my money, and for some reason, this country has the most unnecessarily complicated tax system in the world. Thus, it took a short time to figure it out. I have also been hard at work performing in a pilot for an upcoming dramatic web series, named Pioneer One, which is shooting this week. It's a very innovative and suspenseful story with the makings of a cult sensation (if I do say so myself). I'm quite chuffed (that's the Australian equivalent of proud, for my American readers) to be involved. Check out the hype at the official website . You may notice there is no poll to decide the next year to review. Fear not, I will add it soon. Just ran out of time today. I did, however, find a small window of time today to begin the review of 1975's Best Picture nominees, starting with... Nashville Director : Robert Altma...

Best Picture of 1937

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And we finally reach the conclusion of the 1937 race for Best Picture. It's been a long road (the longest since I started this project) but quite a satisfying one. Lots to admire with this pack, but my favourite was relatively easy to single out. The nominees for Best Picture of 1937 are: The Awful Truth Captains Courageous Dead End The Good Earth In Old Chicago The Life of Emile Zola Lost Horizon One Hundred Men and a Girl Stage Door A Star Is Born I managed to discover something inspiring in each of these ten nominees, but for some, the inspiration was limited to a few scenes. The Good Earth is clearly at the bottom of the pack for me. Heavily superficial, even the engaging riot scene doesn't redeem it. Similarly, Dead End contained one gripping sequence, but otherwise, it pales in comparison to greater film noir stories. The rest of the nominees utterly deserve their place on this prestigious list, featuring some truly engrossing or entertaining (or both) cinematic elements....

1937 - Captains Courageous

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Last chance to vote on the next group of Best Picture nominees to which Matt vs. the Academy will direct its focus. It's currently a dead heat, so somebody could theoretically decide the fate of this blog's next couple of weeks with one vote. The poll is over to the right. Today, I rounded out the 1937 Best Picture race by taking a look at the last of the nominees... Captains Courageous Director : Victor Fleming Screenplay : John Lee Mahin, Marc Connelly and Dale Van Every (based on the novel by Rudyard Kipling) Starring : Freddie Bartholomew, Spencer Tracy, Lionel Barrymore, Melvyn Douglas, Charley Grapewin, Mickey Rooney, John Carradine Academy Awards : 4 nominations 1 win, for Best Actor (Tracy) Based on popular British author Rudyard Kipling's 19th century novel, Captains Courageous is the coming of age story of Harvey (Bartholomew), the spoiled, arrogant son of wealthy businessman Frank Cheyne (Douglas). With a deceased mother and a father who has little time for him, ...

1937 - The Awful Truth

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As an actor, it is helpful to understand where the industry sees you. As much as we don't like to be typecast, it is a necessary evil in order for casting directors and agents to know which roles to call you in for. But sometimes, it still comes as a surprise when you see the other actors in the waiting room who are up for the same role. Yesterday, as I waited to audition for a national yogurt ad, I sat across the room from Joey Slotnick (pictured). It's becoming clearer now exactly what my type is. Next on the 1937 review list is Best Picture nominee... The Awful Truth Director : Leo McCarey Screenplay : ViƱa Delmar (based on the play by Arthur Richman) Starring : Irene Dunne, Cary Grant, Ralph Bellamy, Alexander D'Arcy, Cecil Cunningham, Molly Lamont Academy Awards : 6 nominations 1 win, for Best Director A classic screwball comedy, The Awful Truth pits husband and wife, Jerry and Lucy Warriner (Grant & Dunne), against each other. It's that age-old battle that is...