Matt vs. the Academy

In a city of over eight million people, one certainly doesn't expect to randomly bump into anybody one knows on the street, let alone someone from one's home town 16,000 kilometres away (that's 10,000 miles in American). And yet, that's precisely what happened yesterday as I strolled up 5th Avenue. Upon passing a young man on his mobile phone (that's 'cell phone' in American), I silently pondered how similar he looked to a friend I knew from Sydney. Five metres further down the street (that's about 16 feet in American), I heard my name and turned around to discover that the reason the phone-wielding man looked so similar to my friend was that it was my friend. Small world, indeed. (That's Planet Earth in American.) Today, I viewed one more Best Picture contender from 1944... Double Indemnity Director : Billy Wilder Screenplay : Billy Wilder & Raymond Chandler (based on the novella by James M. Cain) Starring : Fred MacMurray, Barbara Stanwyck, Ed...

After weeks of rehearsal, my New York stage debut has finally come and gone. Ah, the smell of the crowd, the roar of the greasepaint. We have three more weeks of shows, so for those of you in the neighbourhood, come check me out. Of course, with last week's mad rehearsal schedule, the Matt vs. the Academy project took a bit of a back seat, so along with my stage debut, the project's 100th day and 50th post have also come and gone. A small and arbitrary feat. But even though my initial deadline for this project is becoming more and more elusive - a matter that I will address at a later date - I am still as excited as ever about this nonsensical enterprise. Today, I continued with the 1944 Best Picture shortlist by watching... Since You Went Away Director : John Cromwell Screenplay : David O. Selznick (based on the novel by Margaret Buell Wilder) Starring : Claudette Colbert, Jennifer Jones, Joseph Cotten, Shirley Temple, Monty Woolley, Lionel Barrymore, Robert Walker, Hattie Mc...

For my American readers, Happy Thanksgiving! For everyone else, have a good Thursday. As I write this, Kat and I are about to head off with an Australian friend to another Australian couple's place to celebrate the entirely non-Australian holiday. But there's a large turkey involved, so how can we pass it up. Yesterday, on Thanksgiving Eve, I watched a somewhat forgotten Best Picture nominee, namely... Wilson Director : Henry King Screenplay : Lamar Trotti Starring : Alexander Knox, Charles Coburn, Geraldine Fitzgerald, Thomas Mitchell Academy Awards : 10 nominations 5 wins, including Best Original Screenplay Not a prequel to Cast Away , Wilson is a concise exploration of the political career of Woodrow Wilson from his days as President of Princeton University through his post as Governor of New Jersey to his election as the 28th President of the United States. Along the way, he must deal with the question of America's involvement in the Great War while simultaneously copin...

Without a washing machine in the building, Kat and I are forced to look elsewhere for our laundry needs. The easiest option is to take advantage of our local laundromat's highly convenient wash'n'fold service. Perfect for lazy husbands everywhere. You simply drop off your clothes in the morning and, just like magic, they are clean smelling and neatly folded when you pick them up in the evening. Now and then, I'll use the self-service washing machines to save a bit of money. Since the machines only take quarters, there is a handy change machine in one corner of the room. Pop in a dollar bill and out pop four quarters ... or so you would expect. Recently, upon operating this simple piece of machinery, I was mildly elated to receive five quarters for my one dollar investment. Ah, for the little wins... Yesterday, I embarked on the 1944 Best Picture journey by watching... Gaslight Director : George Cukor Screenplay : John Van Druten, Walter Reisch and John L. Balderston (b...

One more collection of nominees out of the way and, as I've come to expect from this project, not a dud among them. However, this decision proved to be a little easier than recent verdicts, for which my tired brain is grateful. The nominees for Best Picture of 1984 are: Amadeus The Killing Fields A Passage to India Places in the Heart A Soldier's Story Contrary to the diversity of some of the previous years I've examined, these five films can almost be similarly categorised ... well, perhaps with a little manipulation. Each deals at some level with the dastardly deeds to which human beings can subject one another. Racism features prominently in four of the pictures, the fifth being a more personal account of hatred. Consequently, 1984 was a powerful year for the Best Picture award. To be completely ruthless, A Soldier's Story left the smallest impact on me, which is more a credit to the other four films than a criticism of the Norman Jewison picture, for it is undoubted...