Matt vs. the Academy

The trend of incredible (and lengthy) films continues. I found all five contenders in 1962's competition to be thoroughly engaging. Yet another hallmark year for this project. The nominees for Best Picture of 1962 are: Lawrence of Arabia The Longest Day The Music Man Mutiny on the Bounty To Kill A Mockingbird My first move in this verdict is to split these fine films into two groups. In the bottom section is The Music Man, a spectacularly entertaining film, perhaps only disadvantaged by its lack of substance in comparison with the other four nominees, which all deal with very powerful material. Joining the musical, I have placed To Kill A Mockingbird. I know, I know. Most people love it. And I did, too. Just not as much as its competitors. The three films on the upper branch, coincidentally or not, happen to be the three longest nominees - each running at least three hours - and are also all based on true stories. First, we have Mutiny on the Bounty, an intense battle of minds comp...

I'm writing this in the few remaining hours of Daylight Savings in New York City. Tomorrow, the darkness creeps in an hour earlier. Subsequently, each day will see the sunset arrive sooner than the day before... Well, okay, that makes it sound far more foreboding than is necessary. Still, I'll be hotfooting it soon to the other side of the equator, where not only is the day getting longer, but warmer too. Kat and I have a visit home to Sydney planned for Christmas and New Year's. But more on that later... Yesterday, I viewed the last in the shortlist for 1962's Best Picture crown... Mutiny on the Bounty Director : Lewis Milestone Screenplay : Charles Lederer (based on the novel by Charles Nordhoff and James Norman Hall) Starring : Marlon Brando, Trevor Howard, Richard Harris, Hugh Griffith, Richard Haydn, Tarita, Percy Herbert Academy Awards : 7 nominations 0 wins Based on a novel which was itself based on a true story, Mutiny on the Bounty is apparently not entirely ac...

Don't forget to vote for which year Matt vs. the Academy should tackle next. You can do so by selecting one of the options in the poll on the right. For my American readers, consider it a warm-up for the voting muscles you will be exercising on Tuesday... unless, like me, you are not a U.S. citizen and are therefore ineligible to vote ... in which case, just vote in my poll anyway. Today, in lieu of any Halloween festivities, I watched another contender in 1962's Best Picture race... The Music Man Director : Morton DaCosta Screenplay : Marion Hargrove (based on the Broadway musical by Meredith Willson) Starring : Robert Preston, Shirley Jones, Buddy Hackett, Paul Ford, Hermione Gingold, Pert Kelton, Ron Howard Academy Awards : 6 nominations 1 win, for Best Score (Adaptation) Popular on Broadway, Meredith Willson's The Music Man centres on a travelling salesman who calls himself Professor Harold Hill (Preston). Arriving in River City, Iowa, Hill attempts to con the townsfolk...

I always enjoy seeing classic movies on the big screen. The cinema experience will always trump the home theatre experience, I guess, until the day that the cinema experience is the home theatre experience (i.e. when I own a house big enough for a private screening room). Among others, I've been lucky enough to see 70mm prints of Lawrence of Arabia and Ben-Hur, and I got my sci-fi geek on for the reissues of the first three Star Wars films in the late 1990s. But last weekend was a particularly personal thrill for me as I attended a special 25th anniversary screening of Back to the Future . I had never seen it on the big screen before (I was only nine years old during its initial release) but, through video and DVD, it became one of my all-time favourite films, one which, I'm glad to say, still holds up today, despite its mathematically erroneous pronunciation of 1.21 gigawatts. Seeing it in a room full of like-minded fans created an electrifying atmosphere - there were cheers ...

Here's a little anecdote to illustrate precisely how neurotic I am... I recently endured my first cold of the season. The sore throat and the runny nose passed relatively quickly, leaving me in the niggling cough stage. A few nights ago, while sitting in an acting class, I felt a potentially disruptive coughing fit simmering just under the surface, so in an attempt to minimise the disruption, I instead released a short, sharp and perhaps oddly high-pitched hack. To my surprise, the girl sitting next to me kindly whispered, "Bless you," seemingly unaware that my audible expulsion was not, in fact, a sneeze. Not wanting to be unappreciative or rude, I let her error pass. However - and here comes the neurotic part - rather than risk another awkward blessing of a cough, I made a conscious effort henceforth to make my splutters sound more cough-like by invoking at least two or three distinct barks in rapid succession. Yep, I actually adapted my own coughs in order to avoid an ...