Matt vs. the Academy

Yet again, I am writing to you from somewhere other than New York City. (Perhaps if I updated this blog more often, this wouldn't happen as frequently.) I am currently in the very sleepy town of Naples in upstate New York, rehearsing The Thirty-Nine Steps for Bristol Valley Theater . A parody of the classic Hitchcock film, the play consists of dozens and dozens of characters but only four actors - one man to play the lead, one woman to play three female characters and two other actors (referred to in the script as Clowns) who play everyone else. I have the fitness-inducing pleasure of playing one of the madcap clowns. On a break from rehearsals, I found the time to watch the last of 1982's nominees for Best Picture... Gandhi Director : Richard Attenborough Screenplay : John Briley Starring : Ben Kingsley, Candice Bergen, Edward Fox, John Gielgud, Trevor Howard, John Mills, Martin Sheen, Ian Charleson, Athol Fugard, Gunther Maria Halmer, Saeed Jaffrey, Geraldine...

Well, I'm back from a week in Delaware, where I was shooting Fridays, a short film that centres on an 11-year-old girl named Jenny, who, once a week, visits her terminally ill best friend in hospital. I play Jenny's concerned and protective father, David, who is somewhat unsure how to help his daughter deal with such a sobering predicament. It was quite a rewarding, if a little exhausting, shoot, and I will certainly keep you all abreast of the film's progress on the festival circuit. Back in New York, our desktop computer has been rather uncooperative of late, shutting itself down at seemingly random moments. The obnoxious whirring noise that used to fill the room each time the computer was in operation has now entirely subsided. Thus, it seems relatively clear that we have a lazy fan unwilling to fulfil its cooling duties, thereby allowing the system to overheat and pack it in. Miraculously, though, the computer survived long enough for me to watch the entirety of the...

In my last post, I bemoaned the tribulations of moving house. For most, the discomfort of the move is, at least, offset by the excitement of the new surroundings. However, Kat and I have unfortunately managed to experience that discomfort with no subsequent excitement. I won't bother with the frustrating - and somewhat humiliating - details, but suffice it to say, we found ourselves involved with a rather shady real estate broker. Luckily, the ordeal ended with no monetary loss on our part, but the annoying result is that we packed everything into boxes only to unpack it all at the same apartment. Yep, we're not moving after all. I am now currently in Delaware to shoot a short film for a week (more details at a later time) but with my one day off yesterday, I shunned the Diamond State's sights to stay in my hotel room and watch the next of 1982's Best Picture nominees... Tootsie Director : Sydney Pollack Screenplay : Larry Gelbart, Don McGuire, Murray Schisgal ...

As I write this, I am surrounded by boxes and bags, full of Kat's and my belongings, in preparation for our apartment move next week. I cannot express how much I abhor moving, and yet somehow, I seem to have moved every couple of years. Interestingly, even though we are staying in the same neighbourhood - our new apartment is only about a mile away from our current one - the move from Australia to the States seemed somewhat easier. Sure, there were all sorts of administrative things to worry about then, but the actual transport of our belongings was rendered much simpler by the fact that we just bought all our furniture anew. Thus, all we really brought with us from Sydney were clothes. Now, we have a whole apartment of stuff to schlep. How did we accumulate so many things in just two years? Next up in 1982's selection of Best Picture nominees is... The Verdict Director : Sidney Lumet Screenplay : David Mamet (based on the novel by Barry Reed) Starring : Paul Newman...

Our friends at the Academy have announced a change to the recently-adopted rule concerning the number of nominees for Best Picture. After only two years of a ten-horse race, next year's shortlist will consist of anywhere between five and ten nominees, depending on how many films receive the requisite five percent of first-place votes during the nominating procedure. After studying the hypothetical results that this method would have produced in the past decade, it appears we may consistently have seen greater than five nominees, but fewer than ten. In other words, forcing only five nominees sometimes may have left some worthy films by the wayside, yet making it compulsory to cite ten films for the top award may have allowed one or two less than stellar pictures to sneak in. Undoubtedly, this new change will have its critics. Some will certainly say that the Academy is changing its rules too often. Indeed, it seems plausible that this announcement is in response to criticism of i...