Matt vs. the Academy

One of the things I'm enjoying about this silly little project is the opportunity to watch some of cinema's early offerings, an activity that I previously did not engage in very frequently. While it is clear to me that my tastes lie with slightly more modern filmmaking, I am always pleasantly surprised by how fascinating I find some of these vintage pictures, and even more surprised when I come across a forgotten gem. I may not have uncovered one of those gems with the current crop of films under review, but they each contained elements worth appreciating and I'm genuinely glad to have experienced them. The nominees for Best Picture of 1929/30 are: All Quiet on the Western Front The Big House Disraeli The Divorcee The Love Parade When sound was introduced to moving pictures in the late 1920s, it forced a change not only in the obvious technical aspects of filmmaking but also in the conventions that cinema used to tell a story. It took a few years ...

I'm very happy to report that The Artist is a fantastic and innovative film, certainly worthy of its recent recognition. Thoroughly enjoyable, the film makes clever use of its genre and, let's face it, it's difficult not to be unique when you make a film in a genre that hasn't been around for 80 years. Anyway, you should do whatever you can to see The Artist. Undoubtedly, this clever film will be mentioned a lot in the coming months. As we wind down the current year of review, don't forget to cast your vote for the next one. The poll is in the sidebar on the right hand side of your screen. But you knew that already. The final film for us to have a look at from 1929/30's slate of Best Picture nominees is... The Big House Director : George Hill Screenplay : Frances Marion, Joe Farnham, Martin Flavin Starring : Chester Morris, Wallace Beery, Lewis Stone, Robert Montgomery, Leila Hyams, George F. Marion, J.C. Nugent, DeWitt Jennings Academy Awards :...

Awards season has begun, which unashamedly makes me giddy. I've already seen a lot of the films that could potentially be recognised over the coming months but there are still plenty to go. One that I am particularly looking forward to is The Artist, especially after being named the favourite of the New York Film Critics yesterday. I'll be attending a screening of it (sadly, sans Q&A) on Friday, and will report on its merit soon. Time now to discuss another nominee from the 1929/30 Best Picture contest... Disraeli Director : Alfred E. Green Screenplay : Julien Josephson (based on the play by Louis N. Parker) Starring : George Arliss, Joan Bennett, Florence Arliss, Anthony Bushell, David Torrence, Ivan F. Simpson, Doris Lloyd Academy Awards : 3 nominations 1 win, for Best Actor (Arliss) 19th century British Prime Minister Benjamin Disraeli (Arliss) is having a tough time of it. His political rival, William Gladstone, has helped to undercut Disraeli's p...

As a member of the Screen Actors Guild, I get invitations to all sorts of special screenings during awards season, no doubt intended to influence my vote at the SAG Awards. Idealistic as I am, I remain staunchly subjective, despite being offered free popcorn and soft drinks. I mean, I'll take  the free popcorn and soft drinks - and anything else you're willing to offer me, for that matter - but no amount of bribery will make me write your film's name down on my ballot ... except, perhaps, if you offered me a role in your next film. That might do it. In the last couple of weeks, I've heard fascinating insight into the makings of three films vying for accolades this season. First,  Albert Nobbs , a moving but rather contrived film. Its flaws are forgiven, however, due to impressive performances by Glenn Close and Janet McTeer, both present for the Q & A. Next, Tinker Tailor Soldier Spy , a complicated and moody spy thriller, made all the more complicate...

More celebrity shoulder-rubbing stories from this past week at work. I poured some water for Andie MacDowell, was thanked by Jimmy Fallon, and witnessed a live performance by Coldplay. Other attendees that I spotted at these events were Julianna Margulies, Taraji P. Henson, Alec Baldwin, Steve Martin, John McEnroe, Lorne Michaels, Andrew Garfield and Emma Stone. Here endeth the name-dropping. Don't forget to vote for the next year of review for Matt vs. the Academy. The poll is in the right sidebar. Next up in the contenders vying for 1929/30's Best Picture prize is... The Divorcee Director : Robert Z. Leonard Screenplay : Nick Grindé, Zelda Sears and John Meehan (based on the novel "Ex-Wife" by Ursula Parrott) Starring : Norma Shearer, Chester Morris, Conrad Nagel, Robert Montgomery, Florence Eldridge Academy Awards : 4 nominations 1 win, for Best Actress (Shearer) You would be hard pressed to find another film with such a spoiler for a title. Th...

Last Friday, I finally got around to redeeming a gift certificate that my darling wife had given me for my birthday in February. Yes, I am the king of procrastination. The gift certificate entitled me to a full body massage at a local spa, which, through no fault of the massage therapist, turned out to be an entire hour of cringing discomfort. To be fair, that's essentially how I've felt every time I've received a professional massage. It's not that I'm prudish. Oddly, lying almost naked while a stranger rubs his hands all over me doesn't really bother me. It's the pain that bothers me. The digging, the pinching, the grinding - all actions I'd rather not experience. You might ask, "Well, Matt, why don't you just ask the massage therapist to give you a softer massage?" Well, that would involve confrontation, silly. Instead, I just lie there with my face, hidden from my tormentor's view, scrunched in near agony. And when it's not unbe...

I remember the 1998 Best Picture race well. Saving Private Ryan was the hot favourite to win for most of the season, right up until just before the ceremony. I recall reading the predictions of a possible upset by Shakespeare In Love but couldn't believe it would happen. The Spielberg film was my pick, both for my own personal favourite and for the Academy's favourite, and it just made no sense that a light-hearted period rom-com would best it. Having watched all five nominees again over recent weeks, let's see if my feelings have changed. The nominees for Best Picture of 1998 are: Elizabeth Life Is Beautiful Saving Private Ryan Shakespeare In Love The Thin Red Line Two of these contenders take place during the reign of Queen Elizabeth I, but that is about all they have in common. The other three take place during World War II, two of which are ripe for comparison. Both The Thin Red Line and Saving Private Ryan deal with the personal journeys of sol...