Matt vs. the Academy

It's that time of year again. The Academy Award nominations will be announced bright and early tomorrow morning, so just for fun, here are my predictions for who will see their names listed. I'm quietly confident about most of my picks - most categories have only one or two alternates that could sneak in. But boy oh boy, Best Supporting Actor is a doozy. There are just so many potential variations of the final nominees that I had trouble settling on five. Similar story with Best Documentary (are there enough Scientologists to quash Going Clear's chance of a nom?) and Best Adapted Screenplay (is it ever a good idea to leave out Charlie Kaufman?), so we'll see how everything pans out.

Since my last post, Kat and I have a new addition to our family. Emily was born in early November and is already melting hearts everywhere. With two little ones in the house now, finding time for this blog may be even more difficult than it has been (and it was already difficult). Indeed, I watched the movie below well over a month ago and am only now getting around to blogging about it. I have to admit, though, that the transition from one to two babies has not felt as life-altering as becoming parents for the first time. Most likely, that's simply due to the fact that we're already used to the sleep deprivation and constant cleanup of infant waste. And if having a second offspring weren't enough, we also just moved house and are dealing with all that that entails, so ... you know ... you may not hear from me again for a while... Now, you may remember way back when I began this year of review many, many months ago that  I mentioned taking the Warner Bros. VIP Studio Tour...

It's been over six years now since I began this insane project that I initially thought would last about a year and a half. I suppose, though, if I drag this out long enough, there's at least a tiny chance that I'll make it into the cast of a future Best Picture nominee which, aside from the cool meta nature of having to review a film I'm in, would just be all kinds of awesome. And in fact, one such opportunity may have already presented itself. Last week, I spent a morning shooting a scene opposite Annette Bening (who was absolutely lovely, I might add) for 20th Century Women, a film directed by Mike Mills. While none of his films have been nominated for the big prize just yet, you may remember that it was his Beginners for which Christopher Plummer won a well-deserved and long-awaited Oscar a few years ago. And Annette Bening is certainly Oscar bait, so it's certainly within the realms of possibility that Mills' latest film could find itself on the Best Pic...

With baby number two due in about a month and a half, I'm trying to cram in as many movies as I can before spare time becomes even more scarce. So let's get straight to it. Here's a look at another 1943 film shortlisted for Best Picture... Watch on the Rhine Director : Herman Shumlin Screenplay : Dashiell Hammett (based on the play by Lillian Hellman) Starring : Bette Davis, Paul Lukas, Geraldine Fitzgerald, Lucile Watson, Beulah Bondi, George Coulouris, Donald Woods Academy Awards : 4 nominations 1 win, for Best Actor (Lukas) It seems somehow appropriate to follow up The Ox-Bow Incident with this picture. Both are confronting tales that deal with serious moral issues, albeit Watch on the Rhine leans more towards the political. Anti-Fascist activist Kurt Muller (Lukas) and his American wife Sara (Davis), arrive in Washington, D.C. with their three children after leaving a devolving Europe behind. They stay in Sara's wealthy family home with her mothe...

Well, look at me. I'm posting again only a couple of weeks after the last one. The only explanation I can come up with is that this awards year is not full to the brim with three-hour epics ( I'm looking at you, 1956 ) so it's been a tad easier to find time to watch them. The majority of 1943's contenders are under two hours, and in fact, the following review is for the shortest of the bunch, clocking in at only 75 minutes! Here now is our next 1943 Best Picture hopeful... The Ox-Bow Incident Director : William A. Wellman Screenplay : Lamar Trotti (based on the novel by Walter Van Tilburg Clark) Starring : Henry Fonda, Dana Andrews, Mary Beth Hughes, Anthony Quinn, William Eythe, Harry Morgan, Jane Darwell, Matt Briggs, Harry Davenport, Frank Conroy, Marc Lawrence Academy Awards : 1 nomination 0 wins I usually like to avoid spoilers in my discussions of these films, but The Ox-Bow Incident is one of those pictures that is extremely difficult to talk a...

Yes, I know. It's been ages since my last post ... again. So what's new? In that time, my episode of Maron has aired, I got cast in an Annette Bening movie , and Kat, Charlie and I spent three weeks in Australia, catching up with friends and family. Oh, and we have a new baby due in a couple of months! Which will likely destroy any chance of this project's pace speeding up. But enough of life. Let's get back to the movies. Here's the next of 1943's contenders for Best Picture... Heaven Can Wait Director : Ernst Lubitsch Screenplay : Samson Raphaelson (based on the play "Birthday" by Leslie Bush-Fekete) Starring : Gene Tierney, Don Ameche, Charles Coburn, Marjorie Main, Laird Cregar, Spring Byington, Allyn Joslyn, Eugene Pallette Academy Awards : 3 nominations 0 wins Upon his death, Henry Van Cleve (Ameche) decides to skip the Pearly Gates and head downstairs first, convinced that Hell is where he belongs. The Devil (Cregar), who see...

For as long as I can remember, I've loved hearing behind-the-scenes stories about movie production, whether in books or documentaries or actual behind-the-scenes tours. So with delight, Kat and I joined a visiting friend recently to take the  Warner Bros. VIP Studio Tour  in nearby Burbank. The Warner Bros. lot has a lot of history and I always enjoy visiting backlots. There's just something about the fake buildings that fills me with a sense of awe and wonder. The tour also included a stop at the Warner Bros. Museum, which housed special exhibits of the Batman and Harry Potter franchises. But it was the tiny corner dedicated to Warner's past Best Picture winners that had me fascinated. Hint: this blog's current year of review resulted in a win for Warner Bros. so I have a little treat for you when I get to reviewing that picture. For now, let's have a look at a British entry in 1943's Best Picture race... In Which We Serve Director : Noël Coward and Da...