Matt vs. the Academy

With the not-as-irreverent-as-usual Golden Globes in the past and this year's Oscar nominations only a couple of weeks away, it is time now to delve into the impossible world of awards prediction. For today, I'll devote my thoughts to a relatively easy race, that of the Best Animated Feature. It seems increasingly clear that Pixar 's justified domination of this category will probably continue. In the last five years, their films have won four trophies, and I expect that the utterly delightful Up will make it five out of six. In all, twenty animated films are eligible for this year's award and, according to Academy rules, that means the nomination shortlist can contain up to five features. So, joining Up will most likely be four films all based on previous material: Wes Anderson's unique retelling of Roald Dahl's Fantastic Mr. Fox ; the cute adaptation of the classic children's book Cloudy With a Chance of Meatballs ; the horror-fantasy stop-motion film ...

As promised, I'm going to experiment with a little reader interaction by introducing a poll for you to vote on which awards year I should tackle next. So, during the review of 1964's Best Picture nominees, I will keep said poll on the sidebar to the right and when the time comes to move on, whichever year has the most votes will be selected as the next year of review. (As if you didn't understand how polls work.) To begin with, I've selected five Best Picture races from the 1980s, so choose your favourite and maybe you'll see that race on Matt vs. the Academy in a couple of weeks. In the meantime, the review of the 1964 race began with a viewing of Best Picture nominee... Zorba the Greek Director : Michael Cacoyannis Screenplay : Michael Cacoyannis (based on the novel by Nikos Kazantzakis) Starring : Anthony Quinn, Alan Bates, Irene Papas, Lila Kedrova, Sotiris Moustakas Academy Awards : 7 nominations 3 wins, including Best Supporting Actress (Lila Kedrova) Responsi...

With very little doubt, 1999 brought with it a slew of incredible films. Personally, I consider it to be the finest year for cinema in recent decades, primarily due to the pictures' originality. Whether it was a portal into John Malkovich's brain , a red pill that reveals the truth , frogs raining from the sky or a club for men to punch the crap out of each other , it's hard to deny that 1999 left an indelible mark. The five pictures nominated for that year's Best Picture Oscar were no exception and I immensely enjoyed revisiting them for this project. The nominees for Best Picture of 1999 are: American Beauty The Cider House Rules The Green Mile The Insider The Sixth Sense Since this is a year I hold in great esteem, I've had occasion to ponder my favourite nominee several times before, so it was somewhat of a foregone conclusion which film I would pick. Nonetheless, I shall go through the motions and contemplate all the contenders. The surprising thing about thes...

It's been just over a week since my last post, which I believe is the longest hiatus I've taken thus far since the project began. So, perhaps this is an opportune moment to discuss the details of my arbitrary deadline. As mentioned in my inaugural post , I had intended to wrap up my movie-watching duties by next year's Academy Awards ceremony. The viewing rate began admirably but it soon became a little impractical to be devoting six days a week to sitting in front of the television (and then, today, I read this ). Now, with only a little over ten percent of the films crossed off my list, the rate would have to be increased to more than one film a day for me to meet that deadline. Which is clearly preposterous. But I'm not going to set a new deadline. Instead, I'll enjoy the process without a date looming over my head. Although, I'll try not to leave a week in between posts, either. Finishing off the slate of films vying for the 1999 Best Picture award was... Th...

Happy New Year, my dear readers. May 2010 bring you just enough of what you dream of to keep you satisfied, but not so much that you have nothing left to dream about. Kat and I spent a quiet evening at home on New Year's Eve, avoiding the freezing temperatures outside. We also wanted to test the view from our apartment, which happily provided us with an uninterrupted look at the fireworks over the Manhattan skyline. A dazzling sight, without question, but the pyrotechnic display didn't hold a candle (no pun intended) to Sydney's music-synchronised spectacle . Granted, New York doesn't quite have the open spaces that Sydney Harbour affords, so that's to be expected, I guess. Plus, it is summer in the southern hemisphere at the moment - another reason to pine for home. The first Matt vs. the Academy film for the new year was another Best Picture nominee from 1999's contest... The Cider House Rules Director : Lasse Hallström Screenplay : John Irving (based on his n...