1935 - Naughty Marietta

Greetings from wintry Sydney, Australia. I'm back in my home town for a few weeks visiting family and friends, so I may not get much of a chance to watch more of the current crop of nominees, but I had already watched two more of them before I left L.A., so I hope to at least find a little time to blog about them while I'm here.

And indeed, here are my thoughts on one of those films, another Best Picture nominee from 1935...

Naughty Marietta
Director:
Robert Z. Leonard, W.S. Van Dyke
Screenplay:
Frances Goodrich, Albert Hackett, John Lee Mahin
(based on the operetta by Victor Herbert [music] and Rida Johnson Young [book & lyrics])
Starring:
Jeanette MacDonald, Nelson Eddy, Frank Morgan, Elsa Lanchester, Douglas Dumbrille, Joseph Cawthorne, Cecilia Parker, Walter Kingsford, Greta Meyer, Akim Tamiroff
Academy Awards:
2 nominations
1 win, for Best Sound

In order to escape an arranged marriage, a French princess (MacDonald) adopts the identity of a lowly servant named Marietta and sails to New Orleans with dozens of other girls who are hoping to marry the colonists there. However, Marietta has no intention of marrying anyone. Before they arrive in New Orleans, the ship is overtaken by pirates and their plans look dashed until mercenaries come to the rescue. The leader of the mercenaries, Captain Warrington (Eddy), takes a liking to Marietta, though he, too, is stubbornly against marriage.

Of all the different genres of film, musicals arguably contain the least naturalistic conceit. Even fantasy films don't feature people randomly breaking into song (unless they're fantasy musicals, I guess). Not that I'm criticising, mind you. I love a good musical. It's just that, if you're going to ask the audience to suspend disbelief about the spontaneous singing, you might want to make the lyrics at least somewhat relevant to the action. Maybe I'm exaggerating since most of the songs do indeed make sense, but there were still a few that seemed to bear little relation to the story. Of course, it didn't help that unfamiliar characters would often join in the musical numbers for only one or two verses (and sometimes even start the song), even though we hadn't been introduced to them yet nor would we ever see them again. Just some random guy in a crowd belting passionately about something or other. Ironically, the songs are probably the least entertaining part of this whole affair but that may just be a modern viewer's perspective of a very old-fashioned style.

Despite all that and a somewhat formulaic plot, the picture is still very watchable. The visual gags, in particular, may be subtle and sparse, but they often had me laughing out loud. In opposition to the sometimes odd lyrics, the spoken dialogue is sharp and entertaining. Not to mention the old-timey slang. Who knew that "hollow in his pork basket" meant he was hungry?

Frank Morgan is the standout among a very capable cast. His amiable bumbling makes for a fantastically comedic performance. The chemistry between the two leads, Jeanette MacDonald and Nelson Eddy (pictured), works very well, and they both have superb classical singing voices, if you like that sort of thing. As for its Oscars record, Naughty Marietta only received one other nomination besides its Best Picture nod, but it took home that prize, which was for Best Sound Recording.