1983 - Terms of Endearment

My time in LA is nearing an end, though I hope to sneak in at least one more review before I travel back to Sydney next week. In fact, maybe I can even watch two films in quick succession to round out this year of review in less than three weeks, something I haven't done in almost 10 years. That sounds like a challenge...

Our next 1983 Best Picture Oscar nominee is...


Terms of Endearment
Director:
James L. Brooks
Screenplay:
James L. Brooks
(based on the novel by Larry McMurtry)
Starring:
Debra Winger, Shirley MacLaine, Jack Nicholson, Danny De Vito, Jeff Daniels, John Lithgow, Lisa Hart Carroll
Academy Awards:
11 nominations
5 wins, including Best Picture, Best Director, Best Actress (MacLaine), Best Supporting Actor (Nicholson)

After her father dies, flighty Emma Greenway (Winger) struggles to deal with her stuffy and controlling mother Aurora (MacLaine) as they live together in suburban Houston. However, once she's old enough, Emma moves out to marry Flap (Daniels), an indolent ladies' man of whom Aurora wholeheartedly disapproves. She objects even further when the couple move to Iowa for Flap's work.

After many years, Emma and Flap have three children and their marriage is far from rosy. Emma suspects Flap is having an affair, so she begins one herself with mild-mannered Sam (Lithgow). Meanwhile, Aurora has begun an unlikely relationship of her own with her next-door neighbour, Garrett (Nicholson), a gregarious former astronaut who helps to bring Aurora out of her sanctimonious shell. Through it all, despite their volatile relationship, Emma and Aurora remain close ... until tragedy strikes. (Get your tissues ready.)

With a title like Terms of Endearment, you can't be surprised that this film is sentimental. However, it skilfully avoids becoming bogged down in clichés and instead presents a very funny and, dare I say it, endearing story that feels naturally tender, not overly saccharine. Similar to the praise I heaped on The Big Chill, it's the characters (and the performances) that make Terms of Endearment so captivating. Each one is a fully realised human being with fears and fantasies and foibles, so even though parts of the plot feel a tad inevitable, it's nonetheless exciting to watch.

In the past, when thinking about this film, I always pictured Shirley MacLaine and Jack Nicholson (pictured) as old. Indeed, the script clearly intends to place them in the latter stages of life, but in a sobering twist, it turns out that MacLaine was about my age when she shot this and Nicholson was a few years younger. Blergh. In any event, both deliver spectacular performances and both earned Oscars, for Best Actress and Best Supporting Actor, respectively. Nicholson, in particular, is charmingly naughty and surprising. Debra Winger also greatly impresses as the awkward and flighty Emma, as does John Lithgow as the passionate but neurotic other man. Both Winger and Lithgow also received Oscar nominations but were beaten out by their aforementioned castmates. Four acting nods is quite the achievement, but it realistically could have been five. Jeff Daniels' stunning portrayal is likewise worthy of Academy recognition. In fact, the entire cast is sublime. This batch of Best Picture nominees is certainly a great one for acting ensembles.

Keep an ear out for Albert Brooks as the voice of Aurora's husband in the opening scene. And The Big Chill's Mary Kay Place also provides a dubbed voice for a small role. Along with all those acting nominations, James L. Brooks won three Oscars for himself, as producer, director and writer.