Before I left Sydney, I watched the next nominee in 2010's Best Picture race...
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Director:
Lee Unkrich
Screenplay:
Michael Arndt, John Lasseter, Andrew Stanton, Lee Unkrich
Starring:
Tom Hanks, Tim Allen, Joan Cusack, Don Rickles, Wallace Shawn, John Ratzenberger, Estelle Harris, Ned Beatty, Michael Keaton, Jodi Benson, John Morris, Laurie Metcalf
Academy Awards:
5 nominations
2 wins, for Best Animated Feature and Best Original Song
With Andy (Morris) heading off to college, all his old toys, except for Woody (Hanks), assume they are to be thrown away. Despite Woody's attempts to convince them otherwise, the other toys sneak into a donation box bound for Sunnyside Daycare, where they dream of being played with by many different children. Reality soon sets in, though, as the toys experience the chaos that is toddler playtime while also having to deal with Sunnyside's de facto leader, a villainous teddy bear named Lotso (Beatty), who kidnaps Buzz Lightyear (Allen) and resets him to factory settings.
In preparation for watching Toy Story 3, I rewatched the first two films in the series, and similar themes popped up each time. In all three stories, the predominant driver of the plot is that Woody is afraid that Andy doesn't want to play with him anymore. In the first one, he thinks Buzz is going to replace him. In the second one, he worries that Andy is getting too old to play with any of his toys. And in this one, there's a genuine fear that all the toys are going to be thrown out altogether. Toy Story 2 and 3 also share a similar antagonist: an older authority figure who appears sweet at first, but turns out to be evil. Despite the similarities, this third instalment is more intricate than the first two, which were relatively straightforward. The series seemingly matures along with Andy.
Speaking of maturity, not only does Toy Story 3 contain the usual jokes aimed exclusively at the grownups, a signature of Pixar's output, but there are also certain elements that feel almost unsuitable for children. While the horror scenes can clearly be identified as parody to an adult audience, they could easily scare the little ones. Additionally, there's a genuinely traumatic sequence of existential peril (pictured), a scene that draws the viewer in with its immense realism, which is no mean feat considering it's a movie about talking toys. Then, of course, there's the good old Pixar heartstring-pulling at the end, which is sure to go over the kids' heads.
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