Matt vs. the Academy

I think that in the three and a half years I've been running this blog, this is the first time since the introductory post that I've posted something that is not a review of a nominee or a verdict. But I just couldn't resist getting my Oscar nomination predictions out into the world. And since I haven't watched another nominee from the current year of review and the Oscar nominations are announced in merely hours, I'll just have to post my predictions on their own. So, without further ado, here they be . I can't say I'm completely satisfied with them this year. I didn't really spend as long on choosing them as I usually do. But no excuses, I stand by them anyway. I can't wait for the ceremony this year. It feels like there isn't really a front-runner in so many of the categories, so it truly will be a surprising year. Then again, we have the Golden Globes, Critics Choice Awards, plus all the guilds to come before the Oscars, so it may not be so...

Happy New Year to all my readers! It would perhaps be a little obvious if I were to make a resolution to pick up the pace of this project, but I sincerely hope to do so in 2013. (Otherwise, it may take decades to complete!) Anyway, 2012 was a big year for other activities in my life. I started a theatre company with my wife. We produced two successful shows, our most recent even receiving a positive review from the Huffington Post. I also made my U.S. network television debut with a small role on Law & Order: SVU. Well, technically, I suppose, the debut will be when it airs on January 9th on NBC, so set your DVRs. The last film watched for Matt vs. the Academy in 2012 was another nominee from 1942's Best Picture contest... The Pride of the Yankees Director : Sam Wood Screenplay : Jo Swerling, Herman J. Mankiewicz, Paul Gallico Starring : Gary Cooper, Teresa Wright, Babe Ruth, Walter Brennan, Dan Duryea, Elsa Janssen, Ludwig Stossel Academy Awards : 11 no...

As has become the norm lately, I've left the gap between posts grow so much that I now have too many things to talk about in my little preamble here. Especially considering that it's coming into awards season and there will be lots to talk about in the coming weeks. On that note, the first thing to mention is that Kat and I were lucky enough to be among the first audience to see the finished version of Les Miserables. Director Tom Hooper introduced the special screening, commenting (perhaps with hyperbole) that he had only completed the movie at 2 a.m. that morning. The film is quite simply amazing. With all the singing recorded live (rather than having actors pre-tape them, then lip-sync on set), the emotion of the incredibly dramatic songs is, at times, overpowering. This has Oscar written all over it. Anne Hathaway and Hugh Jackman, particularly. Two acting gigs to mention. First, I shot a guest role on an episode of Law & Order: SVU last week. I play Counselor Andy Gu...

Another long delay between posts. Così  has finished, and Australian Made Entertainment has already begun preparations for its next production, Speaking In Tongues . So busy have I been in the interim that it took a hurricane to shut down everything else I've been doing and free up enough time to watch another movie. Although, it's now taken another week to actually write about it. Fortunately, Kat and I, and our houseguest Susie, who clearly chose a horrible time to visit New York, were all safe and sound in our apartment during the storm. Even more fortunately, we never lost power, unlike many others in neighbouring counties and states, who lost that and a whole lot more. We're feeling very lucky. So, with the winds blowing and the DVD player still working, we watched the first of 1942's Best Picture nominees... The Talk of the Town Director : George Stevens Screenplay : Irwin Shaw, Sidney Buchman, Dale Van Every, Sidney Harmon Starring : Car...

My good intentions of wrapping up this year of review quickly have clearly failed. Who would have thought producing a play would be so all-encompassing?  Così , the play in which Kat and I are acting in and producing is now in its final week and I'm finally beginning to come up for air. We've had some great reviews  and wonderful audiences, so if you're in New York City, get your tickets to the madness. We play until Sunday. Now, at long last, let's review the latest contenders... The nominees for Best Picture of 1971 are: A Clockwork Orange Fiddler on the Roof The French Connection The Last Picture Show Nicholas and Alexandra All five are extremely entertaining films, fine examples of their respective genres, and interestingly, all five essentially end on downers. Perhaps the Academy was feeling depressed in 1971. Between getting kicked out of their hometown, failing to catch the bad guy and being executed, the protagonists in these films don...

Rehearsals are well under way for Cosi , the first production of Australian Made Entertainment , the theatre (and eventually, film) company that Kat and I recently formed. We begin performances on September 7 in New York City, only three and a half weeks away, so if you're going to be in the area, get your tickets now . We now turn our attention to the final nominee from the Best Picture race of 1971... The Last Picture Show Director : Peter Bogdanovich Screenplay : Larry McMurtry and Peter Bogdanovich (based on the novel by Larry McMurtry) Starring : Timothy Bottoms, Jeff Bridges, Cybill Shepherd, Ben Johnson, Cloris Leachman, Ellen Burstyn, Eileen Brennan, Clu Gulager, Sam Bottoms, Sharon Taggart, Randy Quaid, Joe Heathcock Academy Awards : 8 nominations 2 wins, for Best Supporting Actor (Johnson) and Best Supporting Actress (Leachman) Contrary to my usual rule, my viewing of The Last Picture Show was of the director's cut, not of the original version that ...

It's not often the timing works out that one of the nominees from a year I'm currently reviewing happens to be scheduled for a retrospective screening in New York City during that time. Such was the case with the next subject of review, which had a one-day only engagement at BAM Rose Cinemas , which, if memory serves, is a Matt vs. the Academy first. Of course, had I been speedier with my look at the rest of the nominees, I would have been entirely finished with the current year of review and missed the opportunity all together. In any case, it certainly was a thrill to see this picture up on the big screen. In fact, I worry that it may give this film an unfair advantage in my final verdict, since the experience of watching a movie in a darkened cinema is far more all-engrossing than watching on a smaller screen at home, susceptible to all sorts of distractions. Advantage or not, here are my musings on this nominee from the 1971 Best Picture race... The French...