Matt vs. the Academy

I was hoping to have watched a couple more 1946 movies before making this post so that I could have spent a bit more time discussing this year's Oscar race, but we'll have to make do with a quick 11th hour post instead. I know I said it last year, but this year really has been the toughest Oscar race to predict in about as long as I can remember. Despite the fact that Best Director and the four acting categories seem like foregone conclusions, almost every other category is a toss-up. For so many categories, there are two main contenders (sometimes three) that are almost impossible to separate, including Best Picture. At the risk of repeating myself from last year, I'm really not confident of my selections here at all. We'll know in less than 24 hours whether my coin tosses paid off. So, for those of you interested, here are my predictions for the 2017 Academy Awards. Enjoy!

With the Screen Actors Guild Awards last night (which, incidentally, Kat and I were very fortunate to attend - more on that in an upcoming post), the acting races now have very clear frontrunners. And tomorrow morning, we'll find out who is in contention as the Oscar nominations are announced. Here are my predictions on which films will see themselves shortlisted. Some are near certainties, but overall, this was a slightly tougher year to predict. We'll find out soon enough how well I did.

Just over two weeks now until the Oscar nominations are announced, so let's take a quick look at how the lead acting categories are shaping up. Gary Oldman was the early frontrunner for the Best Actor prize for his transformation into Winston Churchill in Darkest Hour. However, 22-year-old Timothée Chalamet could give him a run for his money due to a star-making performance in Call Me By Your Name. He'd be the youngest winner in that category by several years if he can pull it off. Tonight's Golden Globes (which are in progress as I write this) may boost one of their chances since they're competing against each other in the Best Actor in a Drama category. The Globes may also provide some insight into the Best Actress race, which is much more unclear at this stage. Sally Hawkins probably has the most buzz so far for her role in The Shape of Water, but Frances McDormand (Three Billboards Outside Ebbing, Missouri) and Saoirse Ronan (Lady Bird) have both garnered attentio...

This year's Oscar race is heating up. Most of the critics associations have weighed in with their picks, and the Golden Globes and SAG Awards nominations have been announced as well, so a few frontrunners are emerging. Probably the surest shot at this early stage is in the Best Supporting Actor category. After an esteemed career to date, including two prior Oscar nominations, it seems like this could be Willem Dafoe's year for his performance in The Florida Project. Meanwhile, the Supporting Actress contest is shaping up to be a battle between two horrible mothers - Laurie Metcalf in Lady Bird and Allison Janney in I, Tonya. Both are almost guaranteed to earn their first Oscar nominations next month with the scales leaning towards Metcalf for the win. And now we shift our attention back to the next 1946 Best Picture nominee... The Razor's Edge Director : Edmund Goulding Screenplay : Lamar Trotti (based on the novel by W. Somerset Maugham) Starring : Tyrone Pow...

We now come to the impetus for my recent productiveness on this blog. Last week, one of L.A.'s premier revival cinemas, The New Beverly , held a screening of the eventual winner of this year of review. I've written briefly about the New Bev before and I only wish I had the time to visit it more often. After three years in L.A., this marks only the second time I've been. In any case, here's my take on 1946's successful Best Picture nominee... The Best Years of Our Lives Director : William Wyler Screenplay : Robert E. Sherwood (based on a novel by MacKinley Kantor) Starring : Myrna Loy, Fredric March, Dana Andrews, Teresa Wright, Virginia Mayo, Cathy O'Donnell, Hoagy Carmichael, Harold Russell Academy Awards : 8 nominations 7 wins, including Best Picture, Best Director, Best Actor (March), Best Supporting Actor (Russell) As World War II comes to a close, three American servicemen meet for the first time on the return trip to their hom...

Like the previous year of review, there is one picture among these nominees that is clearly held in high regard by film buffs, film reviewers and film historians, so it's tough to look past that. Nonetheless, when making these verdicts, I try to set aside any outside influence and focus on the filmmaking, so let's see where that leads us. The nominees for Best Picture of 1972 are: Cabaret Deliverance The Emigrants The Godfather Sounder Three films in that list have continued to enjoy a place in pop culture for the last several decades. The other two are not quite as well remembered. All of them, however, are intensely dramatic in different ways, and they share a common theme: survival. Perhaps not surprisingly, the two least remembered films were also my least favourite. Sounder had some fine moments but overall, it felt too superficial for my liking. The Emigrants was engaging on many levels, but its laboured storytelling is not my cup of tea. If the first h...

This is one of those times when my incessant procrastination pays off. The next film of review has been unavailable in the US until early last year, so seeking it out for a viewing would have been far more difficult before then. Let that be a lesson to you all. Sometimes, if you put something off long enough, it actually becomes easier. So, let's see what we make of this nominee from the Best Picture contest of 1972... The Emigrants Director : Jan Troell Screenplay : Bengt Forslund, Jan Troell (based on the novels by Vilhelm Moberg) Starring : Max Von Sydow, Liv Ullmann, Eddie Axberg, Allan Edwall, Monica Zetterlund, Pierre Lindstedt Academy Awards : 5 nominations 0 wins The Emigrants opens with a series of oddly statistical captions about the Swedish town in which the main characters live. In fact, the subtitling, in general, of the version I watched is more than a bit unprofessional. The English translations are not always grammatically correct, not to ...