Matt vs. the Academy

It may be a few weeks past already, but since this is my first post back after the Oscars ceremony, it would be remiss of me not to offer a small debrief. As I predicted, Birdman and Alejandro G. Inarritu took home the Best Picture and Best Director gongs respectively. The lesson there is: Never go against the guilds. All in all, I managed to pick 20 of the 24 categories, which sounds impressive, yet that's exactly the way it played out last year, as well. I'd love to credit my superior analysis, but I have to at least acknowledge that there were very few surprises. The favourite won in almost every category, so it turns out that playing it safe is a good strategy. My darling wife and child are both in Australia at the moment, while I remain here in Los Angeles. This seems like the perfect opportunity to make some real progress on Matt vs. the Academy, but they've already been gone for almost two weeks and this is the first post I've managed to write. Still, I'm d...

Despite my unintentional hiatus from this blog, I'll always come back to offer my Oscar predictions. It's another interesting year in that most of the races seem fairly straightforward, except for the two big ones - Best Director and Best Picture. While the last two years have seen those two awards split between two different films - and indeed, many pundits are predicting either a Linklater/Birdman or Inarritu/Boyhood scenario this year - it's still enough of a rarity that I'm never confident splitting the vote that way. I'm counting on this year seeing a regression to the mean. Still, that leaves a decision between Linklater/Boyhood and Inarritu/Birdman, and it's no simple choice. But while Boyhood is clearly the critics' favorite, I'm going to go with Birdman, mostly due to its immense industry support. Not only did the Directors Guild and the Producers Guild choose Birdman for their top awards, but almost all of the other guilds gave it something...

I'm writing this from sunny (and often partly cloudy) Cabo where I'm enjoying a week-long vacation with my family. The internet here is patchy but not one to ruin a tradition, I've hastily put together my predictions for the Oscar nominations , scheduled to be announced tomorrow morning. I'm not entirely happy with these selections since I didn't spend as much time on them as I normally do, but I'll stand by them nonetheless. Let's see how I go...

Yes, I'm still alive. Obviously, I've had a lot going on these last few months. The play I mentioned in my last post (over four months ago - yikes!) has come and gone. The Club was our theatre company's final show in New York City (read about it here ) before Kat, Charlie and I packed up and moved out west to Los Angeles. It's been a couple of months already so we're settled in now and are not even remotely missing the New York weather. I figured I should try to squeeze one more review in before the end of the year, so yesterday I watched the film that would take the top prize in the 1987 Best Picture competition... The Last Emperor Director : Bernardo Bertolucci Screenplay : Mark Peploe and Bernardo Bertolucci (based on Henry Pu-yi's autobiography "From Emperor to Citizen") Starring : John Lone, Joan Chen, Peter O'Toole, Ying Ruocheng, Victor Wong, Dennis Dun, Ryuichi Sakamoto, Maggie Han, Ric Young, Vivien Wu Academy Awards : 9 ...

Who'd have thought raising a baby would take up so much time? Between looking after Charlie and getting things together for our theatre company's next play (more on that soon), movie-watching opportunities have been negligible. On top of that, we're also organising our imminent move to Los Angeles, so things are busy, to say the least. I finally found a spare couple of hours to look at another 1987 Best Picture contender... Fatal Attraction Director : Adrian Lyne Screenplay : James Dearden Starring : Michael Douglas, Glenn Close, Anne Archer, Ellen Hamilton Latzen, Stuart Pankin, Ellen Foley, Fred Gwynne Academy Awards : 6 nominations 0 wins Dan (Douglas), Beth (Archer) and their six-year-old daughter Ellen (Latzen) are the picture of a perfect family. But when Beth and Ellen take a weekend trip to the country to scope out the new family house, Dan throws matrimonial bliss out the window and shamefully has a brief affair with a work acquaintance, Alex (C...

This past Sunday was Father's Day here in the United States and, indeed, most other countries around the world. Obviously, it held particular significance for me since it was the first Father's Day in which I was actually a father. Interestingly, however, Father's Day is celebrated in September in Australia - another one of those odd differences between our nations. Even more interestingly, Mother's Day is celebrated on the same day in May in both countries, so since our now international family will do things both the American and the Australian way, Kat will only get one day of honour every year, while I will cheekily receive two. Let's take a look now at one of the contenders in the Academy's race for Best Picture of 1987... Moonstruck Director : Norman Jewison Screenplay : John Patrick Shanley Starring : Cher, Nicolas Cage, Vincent Gardenia, Olympia Dukakis, Danny Aiello, Julie Bovasso, John Mahoney, Louis Guss Academy Awards : 6 nominations ...

I can't seem to find an explanation as to why the Academy decided to increase the nominee count to 12 for the 1934 Best Picture category. It's an odd number (well, it's an even number, but you know what I mean), and not at all warranted when you look at the list of films that received those nominations. There are certainly a small handful that could easily have been left off the list and nobody would have complained. The nominees for Best Picture of 1934 are: The Barretts of Wimpole Street Cleopatra Flirtation Walk The Gay Divorcee Here Comes the Navy The House of Rothschild Imitation of Life It Happened One Night One Night of Love The Thin Man Viva Villa! The White Parade In a time before the Academy shied away from romantic comedies, the genre was well represented among this dozen. For that matter, so were romance films in general. In fact, every nominee features some sort of love story, whether it be the main focus or a supporting character...