Matt vs. the Academy

A highlight of any Oscar fan's trip to Los Angeles will undoubtedly be the Academy Museum of Motion Pictures . I enjoyed such an outing last week when I attended the museum's third anniversary celebrations. After watching a special screening of Chaplin's The Gold Rush , I ventured into the exhibitions to absorb all I could. It was my second time visiting the museum, but as ever, I remained as intoxicated by the movie magic on display. Of particular interest were the spotlights on Casablanca and The Godfather , which housed Sam's piano and Don Corleone's desk, among other treasures. Perhaps the most thrilling section for me, though, was the room dedicated to the Oscars ceremony itself. Various acceptance speeches are played on big screens surrounding a central display cabinet that provides a chronological history of the Academy Awards. Several past winners' Oscars are on display, as well as other artefacts, including presenters' envelopes and Oscar night ...

After a 14-hour flight yesterday, I'm writing this from the sunny climes of Los Angeles. Long-haul air travel is excruciating, of course, but the silver lining is always the chance to watch as many movies as I can cram in between take-off and landing. This time, I managed four, and it was an eclectic bunch. I caught up with a couple of recent films I missed at the cinema (Kinds of Kindness and Civil War) and threw in a couple of classic comedies to boot (Beetlejuice and Monty Python's The Meaning of Life). A half-day well spent. Before I left Sydney, I watched the next nominee in 2010's Best Picture race... Toy Story 3 Director : Lee Unkrich Screenplay : Michael Arndt, John Lasseter, Andrew Stanton, Lee Unkrich Starring : Tom Hanks, Tim Allen, Joan Cusack, Don Rickles, Wallace Shawn, John Ratzenberger, Estelle Harris, Ned Beatty, Michael Keaton, Jodi Benson, John Morris, Laurie Metcalf Academy Awards : 5 nominations 2 wins, for Best Animated Feature and Best Origina...

Awards season is fast approaching, but as yet, there doesn't seem to be a great deal of buzz around any of the films that have already been released. By this time last year, we had already experienced the phenomenon that was Barbenheimer . This year, however, there's Dune Part 2, which will likely pick up several Oscar nominations and maybe one for Best Picture, like its predecessor, but it seems much less likely that it will actually win. Another sequel, Inside Out 2, might enjoy the rare achievement of an animated film finding itself in the Best Picture race, but again, it's certainly no front runner for the top prize. Other potential contenders are Civil War and Challengers, which also seem poised to get some acting nominations perhaps. In any case, still to come are plenty of Oscar bait movies attempting to garner buzz, including some more sequels of previous Best Picture nominees (Joker: Folie à Deux and Gladiator 2). There's also an upcoming film from Oscar royalt...

We've reached the end of another year of Oscar nominees, so once again, it's time for my verdict. I must say this wasn't a clear-cut decision. There's something to love about all these films so it wasn't immediately obvious to me which one I'd select as my favourite. So let's break it down, shall we? The nominees for Best Picture of 1958 are: Auntie Mame Cat on a Hot Tin Roof The Defiant Ones Gigi Separate Tables Of the five nominees, only one is an original screenplay, while the rest are based on a play or a novel or both. Two films are stylishly extravagant spectacles full of brightly-coloured fashion and lavish sets. Two others are dramatic stage adaptations, intimate and emotional. Let's deal with the spectacles first. Both Auntie Mame and Gigi are entertaining and a feast for the eyes (and, in Gigi's case, the ears). Gigi's toe-tapping music helps to make it my pick of that pair, and while I don't fault the Academy for selecting...

In the intro to my last review, I wrote about my binge of the Mad Max movies. I followed that up with another 80s franchise that has a current sequel. Recently, I rewatched the first three Beverly Hills Cop movies, before tackling the new instalment, Beverly Hills Cop: Axel F. I enjoyed them all but, as I think seems to be the general consensus, there was somewhat of a decline between each film in the original trilogy. The latest addition to the franchise is, I feel, a perfect example of a nostalgia sequel. It captures the tone of the original while still finding a way to make it contemporary. Eddie Murphy slips back into wisecracking Foley wonderfully, and I loved seeing all the old faces (Reinhold, Ashton, Reiser, Pinchot) as well as the new ones (Gordon-Levitt, Bacon, Paige). Even the soundtrack mixes 80s hits with modern tunes. Sure, it probably won't end up on anyone's top 10 list, but for me it hit all the right nostalgic buttons. You might also be surprised to learn th...

In an attempt to fill some embarrassing gaps in my watch history and to avoid being an unpatriotic Australian, I finally got around to viewing a classic Aussie franchise. Yes, shamefully, until last week, I had not seen a single Mad Max movie. (Well, it's possible I saw Beyond Thunderdome as a teenager but I have no recollection of it.) I've yet to see the current instalment, Furiosa, and I fear I may have just missed my chance to see it on the big screen, but I viewed the previous four films in rapid succession and what struck me most is the clear evolution present in the series. Obviously, that's expected between the third and fourth movies since there was a gap of 30 years between them, but even the first three films, which were all released within a six-year period show a distinct progression from one to the next. The budgets evidently matured each time, but so did the filmmaking. Even the stories themselves are quite disparate. Fury Road is the only one (so far) to re...

I've been sitting here for quite a while trying to think of something to write about for this intro. I've had a couple of ideas but, after writing a sentence or two, decided they weren't all that interesting. Of course, writing about how I couldn't find anything interesting to write about is undoubtedly even less interesting than if I'd just written about the uninteresting thing, but I'm finished now and I couldn't be bothered rewriting it again. I guess I need to do more interesting things so that I can write about them. Anyhoo, our review of the nominees from the 1958 Best Picture race continues with... Auntie Mame Director : Morton DaCosta Screenplay : Betty Comden & Adolph Green (based on the novel by Patrick Dennis and the stage adaptation by Jerome Lawrence & Robert E. Lee) Starring : Rosalind Russell, Forrest Tucker, Coral Browne, Fred Clark, Roger Smith, Patric Knowles, Peggy Cass, Jan Handzlik, Joanna Barnes, Pippa Scott Academy Awards...